I turn 37 on Friday.
I’m completely fine with ageing- in fact, I relish it. I think my life has opened up in exciting new ways from the time I turned 30 and I can’t wait to see what my life will look and feel like by the time I reach 40.
Of course, with the dawning of a new natal year comes a time of reflection, and recently I’ve been thinking about when I started my film PR career in 2013 (with Film Sprites PR being born in 2014). There’s definitely a few things I wish I’d done differently. I don’t regret pursuing my career in a different manner, but there are some ‘tweaks’ I would have made earlier on that I believe might have made a difference.
In the work that I do, I get to talk to a lot of filmmakers about their work, and I often hear them express the difficulty they have in self-promoting their work. Sometimes there is a reluctance in reaching out to people for donations to their crowdfunding campaigns, promoting on social media or reaching out to media outlets to secure coverage or a review. It’s something I understand- sometimes it’s not easy! But your work deserves to be seen and appreciated.
Regardless of whether it’s messaging your IMDb link to someone without context, or using a third-party provider to send an auto DM to your followers when they follow you, we need to get back to having the ‘social’ in ‘social media’.
As much as I have loved what we do here at Film Sprites PR, I’m ready to start moving further towards my original dream and goal and I can’t do that alone. So it’s going to take more training, more networking and more heart than ever before. Here’s some of the lessons I’ve learned in the past 5 years.
At Film Sprites PR we have a particular fondness for Twitter. After all, it’s how we got started. We’ve seen how incredibly powerful it can be to convey a message, bring people together and grow a film’s audience.
It can also be a powerhouse when it comes to spreading the word about your film during a crowdfunding campaign. In 140 characters you can spread the word, share your vision and have contributors helping to back your creation. We’ve assisted with many crowdfunding campaigns for films, both in pre-production and post-production, and we’ve seen how well Twitter can work for crowdfunding. Most recently we assisted with the successful Kickstarter for Daphne Fisher’s Enough, helping to not only secure the $6K goal but also helping to raise an additional $945.
So how can you, as a filmmaker, harness the little blue bird to help secure the funds you need for your film? Here’s a few tips to help you make the best of Twitter during your crowdfunding campaign.
When you’re fully engaged and enthusiastic about what you’re doing (especially via social media), it shows. You’re more likely to get more engagement from followers, more shares and amplify your signal.
This holds true even when you’re setting up social media automation. It’s not time-contingent. What matters is your authenticity and your “voice”.
Social media has come a long way in such a short space of time, and Facebook is constantly changing to keep up with the times. One of its newer features is the ability for anyone to live stream content via Facebook Live. Last year Facebook began to roll this new feature out to public figures, before extending this to verified accounts, and now it’s available to anyone.
So what does this mean when it comes to promoting your film, and how can you capitalize on this feature?
This live option gives you another exciting, real-time way of bringing your audience into your world. It’s a great option if you want to bring more people to your Facebook page and it can also be exceptionally useful for crowdfunding campaigns. It means you can connect with your audience in a really intimate and authentic way.
I’m going to give you some ideas for using Facebook Live when promoting your film. If you use them, let me know what your experience was like!
A few weeks ago I was so disheartened to see someone commenting on a forum thread, saying that there’s no point in having publicity for an independent film because unless it’s a studio-driven blockbuster it’s not going to get the “big” publications to post a feature or conduct an interview. But that’s the thing- the mainstream film industry (especially the big studios) has the benefit of publicity departments and unit publicists. Add to that a known director and a big-name cast and they have it made. But don’t forget: the directors and the well-known actors did not just pop out of holes in the ground, fully formed. They worked their way up. The same is true for independent filmmakers and up and coming actors.
And that’s one reason why independent films need publicity. Don’t think of it as “taking on the big boys”. It takes a long time to build a reputation and a body of work to progress in any field, and publicity can assist with that process.
The Film Sprites PR blog is getting a makeover! Nothing drastic, just a few content nips and tucks, as well as brand new updated information to keep you abreast of changes in the social media marketing and PR world.
Many of our most widely read posts will be coming back, so fear not! Check back soon to see what we’ve added.